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Both tracks released up to now by Ashnymph resist simple labeling: their own description of their music as “subconscioussion” doesn’t offer many clues. Their initial track Saltspreader blended a pounding industrial rhythm – guitarist Will Wiffen has sometimes been seen on stage wearing a T-shirt that bears the logo of industrial metal pioneers Godflesh – with vintage-sounding synthesisers and a guitar line that vaguely recalls the enduring garage rock anthem I Wanna Be Your Dog, before dissolving into a barrier of unsettling sound. The desired impact, the group has mentioned, was to suggest road trips, “the grinding circulation of vehicles around the clock over great lengths … nighttime orange glows”.

The subsequent track, the song Mr Invisible, sits somewhere between dance music and left-field alt-rock. Firstly, the cut's tempo, strata of mesmerizing synths, and lyrics that appear either hallucinogenically distorted or spellbindingly cyclical in a way that evokes Underworld's Dubnobasswithmyheadman period all suggest the club floor. Conversely, its powerful concert-like energy, near-anarchic character and fuzz – “achieving a crunchy texture is a long-term goal,” the musician stated – set it apart as very much the work of a band rather than a bedroom-bound producer. They've gigged around the self-made music community of south London for less than a year, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – mutually and other current music – to make you wonder about the band's future direction. No matter what it is, on the evidence of Saltspreader and Mr Invisible, it’s probably not dull.

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